Post by Pete70s on Nov 2, 2007 17:54:57 GMT -5
Over the past month or two, I've really been getting into a lot of their stuff. I've borrowed and uploaded all the CD's from "Trespass" through "Abacab", and I plan to get the "Shapes" CD when the remaster comes out on Nov. 20 (and the early albums remastered in early 2008). I have little to no interest in "Invisible Touch" or "We Can't Dance", as I'm really not big into their late-80's sound. Their 1997 album, "Calling All Stations", however, I've heard bits & pieces of and would like to check out.
So most of these picks are from the 70's, and some of them are very popular songs (they weren't really a singles band, so they count as album cuts):
"Squonk" ("A Trick Of The Tail", 1976)
Of their post Peter Gabriel-era, I like this album the best. This song has one of the most kick-ass intros ever. The 2007 remastered CD is an amazing listen, especially in the car.
Also, from that album, I like "Dance On A Volcano" and the 60's-sounding title track.
"Dusk" ("Trespass", 1970)
Phil Collins and Steve Hackett hadn't joined the band yet. Most people only know this album for "The Knife", but there were some other good moments as well. I'm particularly fond of this four 1/2 minute piece, with it's folky feel and Moody Blues-like melody.
"Supper's Ready" ("Foxtrot", 1972)
"Foxtrot" is my favorite of the Gabriel-era albums (the CD I got is the original CD from the mid 80's, so I can't wait for the remaster to come out!). This song is almost 23 minutes long, and is made up of about 6 shorter songs, with recurring themes and motivs. In concert, Peter would change costumes 4 times throughout the song, and his most famous, the flower costume, would be worn during the "Willow Farm" segment in the middle. There's an amazing instrumental section between the 16-18 minute mark ("Appocalypse in 9/8 Time") where Tony Banks solos in 4/4 over a pounding piano & drum beat in 9/8. It's a story of good vs. evil, with the birds left to dine on the bodies of the wicked (hence "Supper's Ready").
It's best to really appreciate the visual performance of this piece, so here is a live performance, with Peter, in three parts.
Part 1 www.youtube.com/watch?v=xtHClRu1DrE
Part 2 www.youtube.com/watch?v=mTQBr9bIzJU
Part 3 www.youtube.com/watch?v=upi6wpANBh4
"The Musical Box" ("Nursery Cryme", 1971)
This mini-opus was kind of a warm up to "Supper's Ready", (much in the same way Pete Townshend's "A Quick One While He's Away" was a warm up to "Tommy"). A story of a young boy who was murdered by his sister (a "nursery crime"), his spirit comes back as a lusty old man. The DVD "Genesis Songbook", has a brief clip of a young, THIN, long-haired Peter Gabriel performing it in 1971 (before he started shaving his head down the middle and wearing all those costumes), singing the song's climax "Why don't you touch me, touch me, touch me, NOW NOW NOW NOW!" Very cool stuff!
"Please Don't Ask" ("Duke" 1980)
This mellow track is pretty much burried in the middle of side two of the "Duke" album, but it stands out to me as a personal favorite. I like the melody, and the emotion in Phil Collins' voice.
"In The Cage" ("The Lamb Lies Down On Broadway", 1974)
From the double concept album, "In The Cage" is a pretty intense rocker with a stunning synth solo by Tony Banks, and interesting lyrics about "Stalactites" and "Stalagmites" forming a "cage" around the main character, Rael. Also, an interesting lyrical reference to "Raindrops Keep Falling On My Head".
Comments? Additions?
So most of these picks are from the 70's, and some of them are very popular songs (they weren't really a singles band, so they count as album cuts):
"Squonk" ("A Trick Of The Tail", 1976)
Of their post Peter Gabriel-era, I like this album the best. This song has one of the most kick-ass intros ever. The 2007 remastered CD is an amazing listen, especially in the car.
Also, from that album, I like "Dance On A Volcano" and the 60's-sounding title track.
"Dusk" ("Trespass", 1970)
Phil Collins and Steve Hackett hadn't joined the band yet. Most people only know this album for "The Knife", but there were some other good moments as well. I'm particularly fond of this four 1/2 minute piece, with it's folky feel and Moody Blues-like melody.
"Supper's Ready" ("Foxtrot", 1972)
"Foxtrot" is my favorite of the Gabriel-era albums (the CD I got is the original CD from the mid 80's, so I can't wait for the remaster to come out!). This song is almost 23 minutes long, and is made up of about 6 shorter songs, with recurring themes and motivs. In concert, Peter would change costumes 4 times throughout the song, and his most famous, the flower costume, would be worn during the "Willow Farm" segment in the middle. There's an amazing instrumental section between the 16-18 minute mark ("Appocalypse in 9/8 Time") where Tony Banks solos in 4/4 over a pounding piano & drum beat in 9/8. It's a story of good vs. evil, with the birds left to dine on the bodies of the wicked (hence "Supper's Ready").
It's best to really appreciate the visual performance of this piece, so here is a live performance, with Peter, in three parts.
Part 1 www.youtube.com/watch?v=xtHClRu1DrE
Part 2 www.youtube.com/watch?v=mTQBr9bIzJU
Part 3 www.youtube.com/watch?v=upi6wpANBh4
"The Musical Box" ("Nursery Cryme", 1971)
This mini-opus was kind of a warm up to "Supper's Ready", (much in the same way Pete Townshend's "A Quick One While He's Away" was a warm up to "Tommy"). A story of a young boy who was murdered by his sister (a "nursery crime"), his spirit comes back as a lusty old man. The DVD "Genesis Songbook", has a brief clip of a young, THIN, long-haired Peter Gabriel performing it in 1971 (before he started shaving his head down the middle and wearing all those costumes), singing the song's climax "Why don't you touch me, touch me, touch me, NOW NOW NOW NOW!" Very cool stuff!
"Please Don't Ask" ("Duke" 1980)
This mellow track is pretty much burried in the middle of side two of the "Duke" album, but it stands out to me as a personal favorite. I like the melody, and the emotion in Phil Collins' voice.
"In The Cage" ("The Lamb Lies Down On Broadway", 1974)
From the double concept album, "In The Cage" is a pretty intense rocker with a stunning synth solo by Tony Banks, and interesting lyrics about "Stalactites" and "Stalagmites" forming a "cage" around the main character, Rael. Also, an interesting lyrical reference to "Raindrops Keep Falling On My Head".
Comments? Additions?